WRITING RESOURCES
HOT LINKS
NAVIGATION
FIRST DRAFT
A-B M-Q
C-E R-S
F-L T-Z
— R —
Read Like a Writer
A FREE YOUTUBE VIDEO
By Diane Callahan — Quotidian Writer
Reading like a writer means reading to learn from other authors. By understanding the creative choices used in novels you admire, you can better apply those tools and techniques to your own writing.
LINK:
Read More Books
By Christian Jarrett — PSYCHE
Modern life can feel too frantic for books. Use these habit-building strategies to carve out time for the joy of reading.
LINK:
Read This
if you want to be a great writer
By Henry Carroll and Ross Raisin
This book demystifies the writing process, empowering you to write your own novel or short story. The author explains expert technique in a clear and jargon-free way, with examples from twenty-five masters of prose. For aspiring writers of all ages and abilities, Read This If You Want to Be a Great Writer will motivate and strengthen your writing talent.
LINK:
Reading Mystery Novels
MADE ME A BETTER FANTASY WRITER
By Kim Neville — CrimeReads
Studying the craft behind a great mystery novel is a worthy endeavor for writers working in any genre.
LINK:
Reading Transforms Us
By Marianna Pogosyan Ph.D. — Psychology Today
How books can help us develop our key emotional and cognitive skills.
LINK:
Real Book Spy
EDITORIAL SERVICES
Are you a new or struggling author looking for professional editorial services to take your writing to the next level? Good news, we can help! On top of line editing and copy editing, we can also help with query letters and pitches. So, whatever you need help with, we’ve got your back!
Ryan Steck can be reached via email at Ryan@TheRealBookSpy.com
LINK:
Relationship Dynamics
NINE WAYS TO APPROACH
By K.M. Weiland
Creating an amazing supporting cast that can offer important relationship dynamics in fiction will also help develop your protagonist. The primary way this is done is simply through the relationship dynamics between your protagonist and other characters.
LINK:
Relationships Made Justified Special
By Keith Roysdon — CrimeReads
Over six seasons, Justified explored the complex, twisted roots of Elmore Leonard’s distinct vision of Harlan County.
LINK:
Jodie Renner
PROFESSIONAL EDITOR
I specialize in editing fast-paced, popular fiction. I’m the award-winning author of three Editor’s Guides to Writing Compelling Fiction, Captivate Your Readers, Fire up Your Fiction, and Writing a Killer Thriller, available in print and e-book formats. These books are all reader-friendly, with lots of bolded subtitles and before-and-after examples. They’re designed to help busy writers get in, find what they want, and get back to their writing, quickly and effortlessly.
LINKS:
Resource Information from Helga Schier
EDITING – TRANSLATING – WRITING
By Helga Schier — With Pen And Paper
Check out this extensive collection of FREE great articles and tutorials!
LINK:
Revenge Novels
REVENGE IS EVERYWHERE IN POPULAR CULTURE
By Liberty Hardy — BookRiot
LINK:
Revenge Story
Five tips for writing a revenge story
By Kit Mayquist — Writer’s Digest
Oh, sweet revenge. There’s nothing like a well-executed plan to get the blood pumping and the pages turning. That feeling when a character finally doles out their death punch, or sneaks that drop of poison into their enemy’s cup is one of the most rewarding experiences a reader can have.
LINK:
Reverse Editing
HOW GOING BACKWARD CAN BRING YOUR MANUSCRIPT FORWARD
By Kris Spisak — Writer’s Digest
When you’re reading your own writing, it’s easy for the “editor hat” to fall off your head. When you need to do your editing, you must find a way to keep that metaphorical “editor hat” securely fastened in place.
LINK:
Revise a First Draft?
By Emma Darwin
LINK:
Revision
A CREATIVE APPROACH TO WRITING AND REWRITING FICTION
By David Michael Kaplan
LINK:
Revision: Starting Over
Tips on how to handle rewriting your stories.
By Quan Williams
So you’ve just finished writing your epic manuscript. It is your masterpiece; the story you’ve been born to tell, that you have poured all of your heart and soul into for months, if not years, on end. You’ve carefully chosen every word and phrase, and did a ton of research to make sure the story was authentic. In your mind, it is perfect.
Then you hand the story you are so proud of over to your beta readers or your content editor to look over. And they shred it. They find massive, gaping plot holes, or serious believability issues, or huge flaws in your character development, or serious inconsistencies with your setting, or technical/historical inaccuracies. Or even worse, all of the above. Nothing short of a complete overhaul is what you need to make your beloved story publishable. And the story is too dear to you for you to discard, so that means you’ve basically going to have to rewrite the whole thing from scratch. So how do you go about handling that?
Link
Revision and Self-Editing for Publication
By James Scott Bell
Designed to eliminate the intimidation factor that comes with revision and self-editing. Bell gives you the tools and advice you need to transform your first draft into a finished manuscript that agents and editors will fight for.
INSIDE YOU’LL FIND:
- Self-editing techniques for plot, structure, character, theme, voice, and more that can be applied as you’re writing to reduce your revision workload.
- Methods for fine-tuning your first draft into a tight, well-developed piece of literature.
- The Ultimate Revision Checklist, which seamlessly guides you through the revision process, step by step.
- Exercises and techniques for “deepening” your work to engage and excite readers like never before.
LINK:
Revise Your Draft in Waves
TO INSPIRE YOUR FLOW AND PRODUCTIVITY
By Kris Spisak — Writer’s Digest
Scratching off items on your revision “to-do list” can be supremely satisfying. Watching the list shrink as you scrawl victory slashes through once-daunting tasks on your paper notes, punt bullet points away into the digital trashcan, and crumple up sticky notes with your ink-stained hands—however you mark it, progress feels good.
Why not use that drive as your motivating force? Small victories along the way dramatically help our own hero’s quest of battling those daunting revisions.
LINK:
Revising Without Losing Your Mind
TO INSPIRE YOUR FLOW AND PRODUCTIVITY
By Marcy Dermansky — Literary Hub
In addition to writing my own novels, I am a developmental editor. I help authors improve their novels. Sometimes these novels get sold; sometimes—as one of my despairing clients knows all too well—they don’t. About a year ago, she came back to me wanting to work on a sixth draft based on the suggestions of an interested agent. “At this point,” she said. “I just want this novel to be over.”
LINK:
Moriah Richard Writing Articles
Moriah Richard is an Editor at Writer’s Digest. Since obtaining her MFA in fiction, she has worked with over 100 authors to help them achieve their publication dreams.
LINK:
The Rise of Present Tense Fiction
MORE WRITERS ADOPT THIS WAY OF STORYTELLING TO BRING IMMEDIACY AND INTIMACY TO THEIR WORK
By Richard Lea — The Guardian
LINK:
Rules for Writing — Joyce Carol Oates
By Writers Write
LINK:
— S –
Michael Sahno
AUTHOR. EDITOR. PUBLISHER
LINK:
“Said”
USING SAID AND OTHER DIALOGUE ATTRIBUTIONS
By Mike Klaassen
There’s a four-letter word that always ignites debate in writing classes. (No, not that four-letter word.) The word in question is said, according to Nancy Kress, in Writer’s Digest (November 2005).
LINK:
Savoring the Mystery of Writing
“SOME MYSTERIES MUST BE LEFT ALONE.”
By Elizabeth McCracken — Literary Hub
LINK:
Scene Action
LAUNCHING INTO SCENES WITH ACTION
By Jorden E. Rosenfeld — Writer’s Digest
No matter how grand or ordinary, strange or beguiling your idea, you must take it through an alchemical process that transforms it into a story. How do you do that? This is the function of the scene; it is your story maker.
LINK:
Scene Coherence
FROM THE READER’S PERSPECTIVE
By Barbara Linn Probst — Writers In The Storm
LINK:
Scene and Sequels
HOW TO WRITE PAGE-TURNING FICTION
By Mike Klaassen
Are you thinking about writing fiction? Writing a novel? Trying to improve a manuscript? Then you need to know all about scenes and sequels.
LINK:
Scene — Spectacular Set-Piece Scenes
Six Ways to Craft
K.M. Weiland — Writers Helping Writers Become Authors
Some scenes need to stand out from the crowd. These big scenes are almost inevitably the ones readers will remember most from your stories. Here are six considerations you can keep in mind when planning your story.
LINK:
Scene Strength
STRENGTHEN YOUR SCENES
James Scott Bell — Writer’s Digest
Scenes are the building blocks of a great story. Here are some simple techniques for writing and revising scenes so your edifice will stand the test of time.
LINK:
Scene & Structure
CRAFT YOUR FICTION WITH SCENE-BY-SCENE FLOW, LOGIC AND READABILITY.
By Jack M. Bickham
LINK:
Scene Structure
options for goals in a scene
K.M. Weiland — Writers Helping Writers Become Authors
The story as a whole and every scene within it begins with a goal. Your characters want something—something they will have difficulty accomplishing. What they want frames the plot on both the macro and micro levels.
LINK:
Scene Structure
options for scene disasters
K.M. Weiland — Writers Helping Writers Become Authors
The disaster is the payoff at the end of the scene. This is what readers have been waiting for, often with a delicious sense of dread.
This is the answer, at least partially, to that all-important question, “What’s gonna happen?”
LINK:
Scene Transitions
6 TRICKS FOR WRITING SCENE TRANSITIONS
By Mia Botha — Writers Write
Moving from one scene to the next is not just a matter of hitting return twice. How you end a scene and what happens at the beginning of the next scene influences the pace of your story.
LINK:
Science Fiction and Fantasy Books
WITH GLOWING AUTHOR RECOMMENDATIONS
By Alyssa Hollingsworth — BookBub
If you love science fiction and fantasy, you’re probably familiar with the struggles of choosing a new adventure. But fear not! Like kindly wizards, our favorite authors are ready to guide us on our journey.
LINK:
Science Fiction Writing Tips
ENGAGE PEOPLE WHO DON’T READ IT
By P.J. Manney — Boing Boing
The future is very heady, complex stuff, and difficult to communicate to those who aren’t on your metaphorical wavelength, since change is inherently hard to understand or accept.
LINK:
The Most Influential Sci-Fi Books of All Time
By K.W. Colyard — Book Riot
What do we talk about when we talk about science fiction? Is it our hope for the future, or our fear of creating the very thing that will destroy us? If the most influential sci-fi books of all time are any indication, the answer is both.
LINK:
Screenplay
why most screenplays don’t sell
By Brooks Elms — Indie Film Hustle
Link:
Screenplay
Adapt Your Book Into a Screenplay
By Shanee Edwards — ProWritingAid
If you have written novels or a memoir and are interested in crossing over into film or TV, there’s nothing stopping you from digging into your page-turning book and transforming it into an edge-of-your-seat screenplay.
LINK:
look! it’s freee!
Screenwriting Down to the Atoms
The absolute essentials
By Michael Welles Schock
Understanding screenwriting just got even easier. This simplified 4-chapter FREEE edition of Screenwriting Down to the Atoms (full 14-chapter edition $4.99) hand-picks the most essential sections of Michael Welles Schock’s innovative approach to screencraft and repackages them in one easy, compact guide.
all writers need to pick this up!
This is a whole lot more than screenwriting. It’s all about story essentials.
Don’t miss out on this fantastic FREEBIE!
LINK:
Screen Writing Advice from Scott Frank
WRITE EVERY DAY
By Donna Marie Miller — ISA
LINK:
Screen Writing Tips
By Amy Sherman-Palladino
There’s plenty to learn from the creator of Gilmore Girls, Bunheads, and, most recently, The Marvelous Mrs. Maisel, about crafting the most important elements of story, creating compelling characters, and believing in your own writing.
LINK:
Screenwriting Down to the Atoms
Digging Deeper into the Craft of Cinematic Storytelling
By Michael Welles Schock
Rather than the superficial approaches found in many guides, Screenwriting Down to the Atoms explores its subject from the inside-out. It boils the craft down to its simplest elements, and then builds an approach clear enough for anyone to understand. Most importantly, Atoms goes beyond simply stating WHAT tends to work in a story by explaining HOW it works and WHY, revealing the logic and flexibility of the craft rather than its mere “rules” and restrictions.
LINK:
Secrets to Great Storytelling
By Stephen James — Writer’sDigest
How to tell a story worth hearing with author Steven James’ three secrets to great storytelling.
LINK:
Secrets of Writing a Novel Without an Outline
By Stephen James — Writer’sDigest
Six secrets of writing a novel without an outline. If you’ve ever wanted to throw away your outline and uncover a story word by word, here’s how to get started.
LINK:
Self-Editing Processes for Writers
WHEN IS MY NOVEL READY TO READ
By Kris Spisak — Writer’s Digest
Kris Spisak ties together her seven processes for self-editing novels, including editorial road-mapping, character differentiation analysis, reverse editing, and more.
LINK:
Self-Editing Tips
By Ellen Buikema — Writers In The Storm
LINK:
Self-Editing Tips and Tricks
By BookBoro
Now that you’re ready to review your work, you’ll need to switch your mindset from that of a writer and prepare to embark on the self-editing journey.
LINK:
Self-Editing for Fiction Writers
how to edit yourself into print
By Renni Browne and Dave King
Here at last is a book by two professional editors to teach writers the techniques of the editing trade that turn promising manuscripts into published novels and short stories.
Link:
Self-Editing
the art of self-editing for writers
By Kim Knight
Are you a new writer ready to publish your work? Are you a seasoned writer? Are you about to submit your work to competitions or publishers? This concise book will help you create a polished and professional manuscript, that’s ready for public viewing, no matter your genre.
Link:
Self-Editing 4 Fiction
By WriteIntoPrint
LINK:
Self-Editing eBooks and Paperbacks for FREE!
Kindle Direct Publishing (KDP)
Get to market fast. Publishing takes less than 5 minutes and your book appears on Kindle stores worldwide within 24-48 hours.
LINK:
Self-Publish in 6 Steps
By lulu blog
For self-published authors and creators of all kinds, publishing a book has never been easier. With the explosive growth of self-publishing and ecommerce platforms, indie authors are no longer held back by the whims of a traditional publisher or literary agent. Today you can secure book printing for your work with just an email address and your content files.
LINK:
Self-Publish in 10 Steps — FREE!
LOADS OF GREAT STUFF IN HERE
By David Gaughran
Want to learn exactly how to self-publish a book like a pro? This comprehensive guide will help you through the ten steps to successful self-publishing.
LINK:
Self-Publish Your Book for FREE
and not get conned
By TW Robinson
Everything you need to know about being an author and making bank is right here in this book. I cover how to write, edit, format, design covers, and handle copyrights. I also provide in-depth, step-by-step instructions on how to publish and market your book. You can do it all yourself, without a publisher, on a budget and even for free.
Link:
Self-Publishing Advice
& Inspirations Podcast
Link:
Self-Publishing
How to self-publish
By IngramSpark Academy — Self-Publishing
Learn how to self-publish a book with a better understanding of where self-publishing stands today, the benefits of self-publishing, the book publishing process, and what you need to self‑publish professionally.
Link:
Self-Publishing
WHY I CHOSE TO SELF PUBLISH AND HOW I DID IT
By Rebecca Harris
The journey to getting a book published is a long one. There are so many options available it can be difficult to know which path is the right one to take. After years of research and hard work I self published my first children’s book.
This book is simply the story of my experience publishing my first book, Princess Pea and Her Family. I will share what I found in my research, what resources I used, the issues I ran into along the way, and the final steps to becoming a first time published author using KDP.
LINK:
Self-Publishing
AN EASY STEP-BY-STEP ILLUSTRATED GUIDE TO SUCCESSFUL SELF-PUBLISHING
By Derek Haines
This easy to follow ebook on how to publish an ebook or paperback is full of advice for new, and not so new self-publishing authors. If it helps you sell just a few more copies of your book, it will have been money well spent.
LINK:
Self-Publishing Business
SO YOU’RE SELF-PUBLISHED. NOW WHAT?
By A.J.Wells — Writer’s Digest
A.J. Wells shares his experience of reading hundreds of self-published books, as well as tips and advice on what self-published authors should do once their stories are finished.
LINK:
Self-Publishing Changed My Life
and will change yours too
By Kim Catanzarite — Writer’s Digest
Here’s everything you can expect to change in your life when you self-publishing your novel.
As an editor and instructor who has a family and also writes novels “on the side,” I thought I was busy. Then I pressed the publish button and realized I hadn’t seen anything yet.
Link:
Self-Publishing Guide — FREE!
By J.J. Hebert — MindStir Media
- How to Publish a Book
- Our Process
- Pricing and More
LINK:
Self-Publishing Guide — FREE!
A FREE GUIDE AND MUCH MORE!
By Kayla Hollatz — ConvertKIT
Now is your time to learn how to self publish your book.
LINK:
Self-Publishing Guides — FREE!
FREE RESOURCES AND GUIDES TO HELP WITH YOUR SELF-PUBLISHING JOURNEY
By PublishingPush
LINK:
Self-Publishing Guide
BEING INDIE: A NO HOLDS BARRED SELF-PUBLISHING GUIDE FOR AUTHORS
By Eeva Lancaster
Learn how to create a book that sells.
LINK:
Self-Publishing Masterclass — FREE!
Kosta Ouzas has created some of the most successful indie-publishing houses in the world. He has helped hundreds of authors create full-time 5 and 6 figure writing careers and looks forward to sharing his new and improved strategies and tactics with you.
- How To Launch A Self-Publishing Career And Generate Book Downloads Consistently Using Zero Cost Tactics
- How To Remove Obstacles By Simplifying Marketing And Generate Traffic To Sell More Books
- Avoid The #1 Mistake Most Authors Make So You Can Build A Closer Relationship With Readers And Focus Your Energy
LINK:
Self-Publishing Success
THE FOUR CORNERSTONES TO SELF-PUBLISHING SUCCESS
By Steven Spatz — BookBaby
Self-publishing truly is a journey. There are some parts you’ll find easy — others are more onerous, but it’s a journey that begins with the notion that you want to write a book and continues long past the point of publication.
LINK:
Self-Publishing Solutions
to Low Income Author Earnings
By Boni Wagner — Alliance of Independent Authors
LINK:
Self-Publishing — Starting From Zero
By David Gaughran
Learn how to self-publish like a pro and build an audience of passionate readers for your books. Enroll for FREE!
LINK:
Self-Publishing Success
HOW TO SELF-PUBLISH AND MARKET YOUR BOOK
By Joanna Penn
I’ve spent over a decade self-publishing bestselling fiction and non-fiction books and in 2011, I left my day job to become a full-time author entrepreneur. I’ve made lots of mistakes along the way, but through the process of self-publishing over 30 books, I’ve learned the most effective way to publish and market your books. In this book, I’ll share everything with you.
LINK:
Self-Publishing Success Stories
LINK:
Sell Books Online
YOU NEED MORE WEB TRAFFIC
By Derek Haines
You need to get people to notice your ebook.
LINK:
Selling Books by the Truckload
ON AMAZON
By Penny C. Sansevieri
LINK:
Selling More Books
THE SECRET TO SELLING MORE BOOKS
By Penny C. Sansevieri
In this post, we’re going to breakdown appreciation marketing, and talk about some of the things you can do not only for readers, but also for the people you work with.
LINK:
Selling Your Book
By Stef Mcdaid — WriteIntoPrint
LINK:
Selling Your Books!
HOW TO SELL MORE BOOKS WHEN YOU’RE TERRIFIED OF SELLING
By Kristen Lamb
Many writers spent decades longing to sign with legacy publishers for the sole reason that they believed a major publisher would tend to all that vulgar sales business for them so they could simply write and create!
It’s cool. I once thought the same.
LINK:
Sentence Diagramming Level 1
THE UNDERLYING STRUCTURE OF SENTENCES
By Angela Carter
This 80-page book teaches students how to diagram sentences so they see the underlying structure of English grammar. Diagramming sentences gives many visual and logical learners an alternative way to learn grammar.
LINK:
SEO FREE Training Course
WHAT YOU’LL LEARN:
- Evaluate and improve your website’s SEO
- Build backlinks to your website at scale to increase your website’s visibility on the search engine results page
- Learn and leverage the tactics HubSpot’s blog team uses to rank #1 on Google
LINK:
SEO Writing
HOW IT HELPS YOU WRITE BETTER
By Derek Haines — Just Publishing Advice
When you write a blog post or create content that you publish online, you want people to read it. This is the best way to get your web pages to appear in Google or Bing search engine results pages.
LINK:
The Seeds of a Novel
the small moments that haunt us
By Steve Almond — Lit Hub
Writing as a Means of Dealing With Obsession
Link
Series Secrets
With Elizabeth George, Robert Dugoni, Tracy Clark, Gregg Hurwitz and Hank Phillippi Ryan (moderator).
Link:
Series You Can Write
By Elaine Dodge — Writers Write
In this post we look at different types of series you could write.
Once you find a good book, and dwell within its pages for a while, you may find yourself wishing it would just carry on. It’s why some people read books over and over again.
This is why a series is often so popular.
LINK:
Setting
4 TIPS FOR SETTING A NOVEL IN A PLACE YOU DON’T KNOW WELL
By Kim Hooper — Writers Digest
You want to write your story in a place you’re not familiar with, but how can you do it justice? Kim Hooper, author of No Hiding in Boise, has some tips.
LINK:
Setting — Bringing It to Life
12 QUESTIONS TO ASK CHARACTERS
By C.S. Lakin
External elements affect us, our mood, our health, our perspective. Weather, quality of light, feel of the air, smells … all factors that contribute. When choosing settings for your scenes, you want to think about the kinds of places that will allow the emotions, needs, dreams, and fears of your characters to come out.
LINK:
Setting As a Source of Conflict
By Mia Botha — Writers Write
In this post, we look at how to use setting as a source of conflict.
LINK:
Setting and Characters
WHY WRITERS SHOULD CREAT A SETTING LIKE A CHARACTER
By Amanda Patterson — Writers Write
Do you want to create memorable settings? In this post we look at why writers should create a setting like a character and how to do it. Many authors say that their setting becomes a character in the stories they write. Some even start with the setting and then add the characters.
LINK:
Setting in Story Telling
12 crucial things to remember
By Amanda Patterson — Writers Write
We have put together a list of 12 crucial things for you to remember about setting in storytelling.
In this post we cover what setting is, 7 details to include in your settings, and 5 ways to use setting to advance a plot.
Link
Seven Things That Will Doom Your Novel
By James Scott Bell — Writer’s Digest
With a little thought and not much effort, you can easily devise methods to prevent yourself from actually finishing a book—or finishing a book that has a chance to sell.
LINK:
Sex Scenes
A DIFFERENT KIND OF THRILL
By Eliza Nellums — CrimeReads
There’s a reason the romantic subplot is a mainstay in mystery/thriller. It can give the reader a break from the non-stop death-defying action, and it lets us see another side of our hero. There’s a reason the romantic subplot is a mainstay in mystery/thriller. It can give the reader a break from the non-stop death-defying action, and it lets us see another side of our hero.
LINK:
Short Story
WRITING A THEMATIC SHORT STORY COLLECTION
By Alexander Weinstein — Writer’s Digest
Selecting the theme for a new short story collection
LINK:
Show, Don’t Tell
WHAT DOES IT MEAN?
By Scott Bury, Author
Characters are what stories are about.
Plot is essential—we had to have a story to tell. Something has to happen, something that matters to you, the readers.
But it has to happen to someone we care about, or identify with, or connect to in some way. That connection has to happen on an emotional level.
As readers, we need to feel those emotions. This is where the “show, don’t tell” rule comes in.
LINK:
Show, Not Tell
THE COMPLETE WRITING GUIDE
By Diane Callahan — Quotidian Writer
I define “telling” as any time in the story when an important moment lacks depth in terms of detail or narrative voice. However, telling can also be an excellent tool for controlling the story’s pacing and delivering important information.
LINK:
Side Characters
How to craft supporting roles
By Sacha Black
Do your characters fail to bring your story to life? Are they flat, boring or have no depth? Is your story lacking a little cohesion or sparkle?
In 8 Steps to Side Characters, you’ll discover:
- A step-by-step guide for creating side characters that bring your story alive
- The main types of side characters and what you should do with them
- The key to crafting character depth that hooks readers
- How to harness your character’s voice to deepen your reader’s experience
- Tips and tricks for using details to enhance characterization
- Methods for killing characters that will help deepen plot, theme and story
- Dozens of ideas for creating conflict with your side characters
- Tactics for differentiating characters and making them feel real to your reader
- Character archetypes and functions
- The most common pitfalls and mistakes to avoid
LINKS:
Sidekicks In Your Novel
By Amanda Patterson — Writers Write
Does your main character need more than a confidant? This post is about sidekicks and what their roles are in novels.
LINK:
Six Deliciously Duplicitous Female Characters in Thrillers
SECRETS, LIES, AND PLENTY OF FLAWS — BUT ALWAYS INTERESTING
By Melissa Colasanti — CrimeReads
LINK:
Six Reasons Why
SHORT STORY WRITING IS GOOD FOR YOU
By Cheryl Burman
LINKS:
Six Self-Publishing Considerations
By John Peragine — Writers In The Storm
LINK:
Six Steps to Successful Self-Publishing
EVERYTHING YOU NEED TO KNOW ABOUT SELF-PUBLISHING
By Patricia Marshall
GET YOUR FREE EBOOK!
A step-by-step guide to self-publishing that shows you how to avoid spending tens of thousands of dollars.
LINK:
Smalltime
A STORY OF MY FAMILY AND THE MOB
By Russell Shorto
Family secrets emerge as a best-selling author dives into the history of the mob in small-town America.
ONE OF NEWSWEEK‘S MOST HIGHLY ANTICIPATED NEW BOOKS OF 2021
LINKS:
Social Media Content Ideas for Authors
Lauren @ LuLu Blog
Social media is an incredible tool and platform for you to share and promote your book to potential new readers around the world.
LINK:
Social Media Just For Writers
HELPING AUTHORS GET DISCOVERED ONLINE
LINK:
Songs for Writers About Writing
THE 20 BEST SONGS
Compiled By Robert Lee Brewer — Writer’s Digest
LINK:
So You Want to Be an Author
FREE! ONLINE TRAINING
LINK:
So You Want to Write a Novel
GET A FREE SAMPLE EDIT
By TypeWrite
LINK:
Spider, Spin Me A Web
A HANDBOOKFOR FICTION WRITERS
By Lawrence Block
The craft of writing is a lot like spinning a web: You take threads and weave them skillfully together, and only you know where this intricate network of twists and turns begin and how it will end.
LINK:
Spies
FIVE THINGS TO KEEP IN MIND
By Stephanie Marie Thornton — Writer’s Digest
A spy thriller requires more than a compelling story and clever plot twists—the characters need to feel real. Author Stephanie Marie Thornton offers 5 tips for constructing believable spy characters.
LINK:
Spy Thrillers
5 Tips for Writing a Spy Thriller
By Alma Katsu
Novelist and former senior intelligence analyst Alma Katsu shares her wisdom for creating a realistic and gripping spy thriller novel.
Spy thrillers are, first and foremost, stories, and that means your characters are going to carry the day. Readers fall in love with characters, so take no shortcuts here. Make sure your protagonist is interesting and complex, not just an amalgam of stereotypes.
Link
Split Infinitive
WHAT IT IS AND WHY YOU SHOULD AVOID THEM
By Pro Writing Aid TV
Infinitives are two-word forms of verbs, such as to run, to research, or to suggest. A split infinitive happens when you insert an adverb in between to and its verb. These can have a negative impact on your writing if you aren’t careful.
LINK:
Splitting the Infinitive
By The Comma Queen — The New Yorker
If I had a hammer,
I’d split an infinitive,
I’d split an infinitive
All over this mag!
LINK:
The Spy Novel — What You Need to Know
4 Things Every Military/Espionage Thriller Writer Should Know
By Don Bentley — Writer’s Digest
You don’t need first-hand insider information to write a compelling and believable spy novel. To help you on your way, I’ve compiled a list of common mistakes to avoid.
Link
Spycraft
TRUTHS YOU DON’T SEE IN FICTION
By Piper Bayard — Writers in the Storm
When covert operatives reveal their identities – even decades after they are out of deep cover – people can die. Assets and loved ones alike can become targets.
LINK:
Spy Thriller Writing Tips
By Alma Katsu — Writer’s Digest
Novelist and former senior intelligence analyst Alma Katsu shares her wisdom for creating a realistic and gripping spy thriller novel.
LINK:
Stakes
THE KEY “STAKES” THAT DRIVE NOVELS
By Donald Maass — Writer’s Digest
A hero who does not have many reasons to solve a problem will gradually become uninteresting. As the story grinds on, the reader will wonder, Why go through all that grief if you don’t have to? Why not just let someone else handle it? You don’t want that. You want your reader to hope hard or even cheer for your protagonist’s success, right?
LINK:
Stakes – Three Levels
every great story needs
By Hannah Yang — ProWritingAid
The protagonist of every great story has something to lose. That’s what makes the reader care about the protagonist’s goals—because of what’s at stake if they fail.
In the best novels and movies, there’s rarely just one thing the protagonist has at stake. Instead, there are three types of stakes in play, each of which engages the reader in a different way.
LINK:
look! it’s freee!
It’s Really About Story!!
Screenwriting Down to the Atoms
The absolute essentials
By Michael Welles Schock
Understanding screenwriting just got even easier. This simplified 4-chapter FREEE edition of Screenwriting Down to the Atoms (full 14-chapter edition $4.99) hand-picks the most essential sections of Michael Welles Schock’s innovative approach to screencraft and repackages them in one easy, compact guide.
all writers need to pick this up!
This is a whole lot more than screenwriting. It’s all about story essentials.
Don’t miss out on this fantastic FREEBIE!
LINK:
Start a Story
25 WAYS TO START A STORY
By Robert Lee Brewer — Writer’s Digest
Because getting started is sometimes the hardest part of any project, here are 25 ways to start a story that writers can use to prompt their next tale.
LINK:
Start Your Story Better
By Jacob M. Appel — Writer’s Digest
A good opening line is a powerful thing: It can grab an editor’s attention, set the tone for the rest of the piece, and make sure readers stay through The End.
LINK:
Starting Writing After 40
By Lee Child — On YouTube
In this interview, bestselling novelist Lee Child (Jack Reacher novels) explains why it’s better to start writing later in life.
Link:
State of the Crime Novel
A ROUNDTABLE WITH THE EDGAR AWARDS NOMINEES
By CrimeReads
LINK:
Staying Creative
HOW TO STAY CREATIVE WHEN THE WORLD IS ON FIRE
By K.M. Allan!
LINK:
Stein on Writing
By Sol Stein
“This is not a book of theory. It is a book of usable solutions — how to fix writing that is flawed, how to improve writing that is good, how to create interesting writing in the first place.”
LINK:
Stop Sabotaging Your Writing Goals
CONFESSIONS OF A LATE BLOOMER
By Andrea Jarrell — Writer’s Digest
Given that I published my first book at age 55, some might call me a late-blooming author. I am. But not because I suddenly discovered writing and decided to write a book. I am a late bloomer because I finally stopped sabotaging myself and did the work needed to realize life-long ambitions.
LINK:
Story Beginnings
Why story beginnings and endings must be linked
By K.M. Weiland
Contemplating the ending from the vantage point of the beginning is like looking up at the top of Mt. Everest and imagining yourself—in all your windblown, frostbitten glory—standing there with your hands on your hips and your foot propped on a rock. It’s all a bit hard to grasp.
The only way to achieve a strong ending is to remember the beginning.
LINK:
Story Elements
7 main elements of a story
Krystal N. Craiker
By Krystal N. Craiker — ProWritingAid
Whether it’s a short story, novel, or play, every type of story has the same basic elements.
Today, we’re taking a look at the seven key elements of a story, as well as the five elements of plot. Knowing these essential elements will ensure that your story is well-developed and engaging.
LINK:
Stories That Work
WHAT THEY DON’T TEACH YOU IN MFA PROGRAMS
By Chris Mooney — Writer’s Digest
I’ve been teaching creative writing at Harvard’s Extension School and their Summer Writing Program, on and off, for the past two decades, to mainly graduate students, and I’m always struck by just how little many of these great, promising writers know about story. Whether you’re writing romance, young adult fiction, or the great American novel, it all begins with story. You have to know story structure, how it works and how to work it, before you write a single line.
And this is how you do it.
LINK:
Story Troubleshooting
six problems to troubleshoot
By K.M. Weiland — Helping Writers Become Authors
You can probably salvage your current story by troubleshooting a few key areas. One way to learn how to accomplish this is to learn what didn’t work in certain stories.
LINK:
Story — A Good Story Must Be Disturbing
By Mark Rubinstein — Writer’s Digest
Whether you’re writing a literary novel, a psychological, medical, legal or spy thriller, or even a cozy mystery, for a novel to be engaging, it must center on human conflict and disturbance.
LINK:
Story — We Are Wired for It
Use brain science to hook readers
By Lisa Cron
This guide reveals how writers can utilize cognitive storytelling strategies to craft stories that ignite readers’ brains and captivate them through each plot element.
LINK:
Story Building Blocks
By Diana Hurwitz
The Story Building Blocks series helps writers develop their plot, design characters using temperament types, build 3D story worlds, write a bare bones first draft, and polish it with revision.
LINK:
Story Course
By Sarah Selechy Writing School
The Story Course guides you to step into your true identity as a writer. It teaches you how to access that mysterious place with presence and consistency. And it teaches you how to honor your stories with technique and craft.
LINK:
Story or Die
how to use brain science
By Lis Cron
A step-by-step guide to using the brain’s hardwired need for story to achieve any goal.
Whether you’re pitching a product, saving the planet, or convincing your kids not to text and drive, story isn’t just one way to persuade. It’s the way. It’s built into the architecture of the brain, and has been since early humans gathered around the camp fire, trying to figure out how to outsmart the lion next door.
LINK:
Story Genius
use brain power to go beyond outlining
By Lisa Cron
This writing guide reveals how to use cognitive storytelling strategies to build a scene-by-scene blueprint for a riveting story.
Anything that doesn’t impact the protagonist’s internal struggle, regardless of how beautifully written or objectively dramatic it is, will stop the story cold, breaking the spell that captivated readers, and unceremoniously catapulting them back into their own lives.
LINK:
Story Goal
A 12 POINT CHECKLIST
By Anthony Ehlers — Writers Write
How do you know you have the right story goal? Does it seem both realistic and exciting? Is it a goal that others can relate to? Will the readers or audience understand the main character’s goal? Will they understand why they want the things they want? Is the reason behind the plot compelling enough to sustain a good story, script or novel?
As a writer, how do you assess all this?
Follow our comprehensive 12-point checklist to test your story goal and plot.
LINK:
Story Pacing
is your story moving too fast?
By K.M. Weiland
In some genres, readers want to feel a sense of desperation and urgency on the characters’ behalf.
One of the best ways to ramp up that feeling is to tighten the story’s timeline and speed up events. Your characters have to disarm a ticking bomb? How much more exciting if they have to do it in five minutes rather than five days!
However, there are definite downsides to allowing your story to move too fast.
LINK:
Story Power FREE Mini-Course
By David Baboulene, Ph.D.
Start watching right now!
LINK:
Story Premise
By K.M. Weiland
For both writers and readers, the premise is the reason we become interested in a story.
LINK:
Story Premise
HOW TO WRITE A PREMISE
By The Novel Factory
You should be able to express the premise of a story (the central idea) in one or two sentences.
LINK:
Story Secrets
INNOVATIVE TOOLS FOR PERFECTING YOUR FICTION AND CAPTIVATING READERS
By Matt Bird
The Secrets of Story provides comprehensive, audience-focused strategies for becoming a master storyteller. Armed with the Ultimate Story Checklist, you can improve every aspect of your fiction writing with incisive questions like these:
• Concept: Is the one-sentence description of your story uniquely appealing?
• Character: Can your audience identify with your hero?
• Structure and Plot: Is your story ruled by human nature?
• Scene Work: Does each scene advance the plot and reveal character through emotional reactions?
• Dialogue: Is your characters’ dialogue infused with distinct personality traits and speech patterns based on their lives and backgrounds?
• Tone: Are you subtly setting, resetting, and upsetting expectations?
• Theme: Are you using multiple ironies throughout the story to create meaning?
To succeed in the world of fiction and film, you have to work on every aspect of your craft and satisfy your audience. Do both–and so much more–with The Secrets of Story.
LINK:
Story Starts
A GOOD OPENING LINE IS A POWERFUL THING
By Jacib A. Appel — Writer’s Digest
In writing, as in dating and business, you don’t get a second chance to make a first impression.
LINK:
Story or Storey?
By ABC Education
Learn the difference between the nouns ‘story’ and ‘storey’ and learn how to use these words correctly.
LINK:
Storey vs. Story?
By Candace Osmond — Grammarist
There are tons of words that have more than one spelling, depending on the language community they belong to. One example is the confusion between storey vs. story. Discover the difference between storey and story, what they mean, and how to use them in a sentence.
LINK:
Story Structure Matters
and what happens when it’s not there
By Michael Hauge
Link
Story Structure and the Antagonist
parts 1 and 2
By K.M. Weiland — Helping Writers Become Authors
Especially in a tightly plotted story, the antagonist is every bit as important a driver of the story structure as is the protagonist.
Link:
Story Arc
By Kathy Edens — ProWritingAid
A story arc (sometimes called the narrative arc) is a more poetic way of saying that each story must have a beginning, a middle, and an end—or Act One, Act Two, and Act Three. This has been the guiding template of stories since the ancient Greeks started writing them and holds true whether you’re writing fiction or non-fiction.
Where authors fall down on story arc is when nothing much happens to the main character by the end of the book. They haven’t been tested in some profound way.
LINK:
Story Structure and Character Arc
By Kiingo
How can story structure be driven by a character arc? How is story structure more than just an external journey? And how can we make our character arcs more believable? Let’s look at how structure and characters intertwine.
LINK:
Story Structure Secrets
By K.M. Weiland
Why should I care? The single most overlooked, misunderstood—and yet most important—part of storytelling.
LINK:
Story Structure
MAKING STORY STRUCTURE YOUR OWN
By K.M. Weiland
Over the past decade, the term “story structure” has largely come to refer to plot points and beat sheets. When writers start talking about structure, many of us assume they’re talking about the specific and even archetypal shape of story—the rise and fall of plot, the causal balance of action and reaction, the transformational journey of the character.
There’s more to it than that!
Link:
Story Structure and Formulas
By The Futur
What is the story circle? How did George Lucas write an epic story like Star Wars? Are there common story types? What is the Monomyth? How does the hero’s journey overlap with the inner journey? How do I improve my writing? Are there story formulas that I can use?
LINK:
Story Structure Variations
By September C. Fawkes
You can find a lot of information on story structure in the writing community, but when it comes to discussing variations on structure . . . that gets harder to find.
LINK:
The Storytellers
STRAIGHT TALK FROM THE WORLD’S MOST ACCLAIMED SUSPENSE & THRILLER AUTHORS
By Mark Rubinstein
Have you ever read a suspense novel so good you had to stop and think to yourself, “How did the author come up with this idea? Their characters? Is some of this story real?” For over five years, Mark Rubinstein, physician, psychiatrist, and mystery and thriller writer, had the chance to ask the most well-known authors in the field just these kinds of questions in interviews for the Huffington Post.
Collected here are interviews with forty-seven accomplished authors.
“Every author has a core story and that he or she will spend a lifetime exploring it. The core story is defined by the emotional conflicts, themes, and world views that compel and fascinate the author.”
—- Jayne Ann Krentz, interviewed in The Storytellers
LINK:
Structuring Your Novel
ESSENTIAL KEYS FOR WRITING AN OUTSTANDING STORY
By K.M. Weiland
Structure is the hidden foundation of all successful stories.
Learn the universal underpinnings that guarantee powerful plot and character arcs. An understanding of proper story and scene structure will show you how to perfectly time your story’s major events and will provide you with an unerring standard against which to evaluate your novel’s pacing and progression
LINK:
Stream of Consciousness
WHAT IS IT & HOW TO USE IT
By Krystal N. Craiker — ProWritingAid
Writers use stream of consciousness writing to mimic the way people’s thoughts flow. We very rarely think in a perfect, linear order. The stream of consciousness technique uses unusual, often grammatically incorrect, sentence structure full of incomplete thoughts and tangents to illustrate how a character thinks.
LINK:
Stupid Characters
why stupid characters make stupid stories
By K.M. Weiland — Helping Writers Become Authors
Readers loathe stupidity. Now it’s true readers will forgive this flaw up to a point. But there’s a difference between a character who makes the occasional stupid mistake and a character who consistently makes downright stupid choices.
Readers want to read about smart people who get the job done, not nincompoops who would be lucky to survive Black Friday in a rural Walmart.
LINK:
“You can actually strengthen a reader’s bond with a story by providing them LESS detail. When their imagination fills in the gaps, they become active participants. They take ownership of the story, and tell it to themselves in a way that you’ll never be able to.”
—- Chad Ryan
Subplots
SUBPLOTS AS A SOURCE OF CONFLICT
By Mia Botha — Writers Write
Whether you’re planning the fabric of a new story or looking to thread depth into one that’s falling flat, try these 7 methods to add great subplots to your novel for a tightly woven plot.
LINK:
Subplots
7 WAYS TO ADD SUBPLOTS TO YOUR NOVEL
By Elizabeth Sims — Writer’s Digest
Whether you’re planning the fabric of a new story or looking to thread depth into one that’s falling flat, try these 7 methods to add great subplots to your novel for a tightly woven plot.
LINK:
Subplots Add Depth
to plot-driven stories
By K.M.Weiland
Subplots are surprisingly misunderstood. Primarily, this is because the best subplots are always natural offshoots of the plot itself. They’re so integral to the plot that they’re basically inextricable from it. Subplots are vital for providing both contrast within the plot—for example, they give readers a “break” from the main plot—and for introducing character depth via situations that would be off-limits in the main part of the plot.
Link
Successful Author Mindset
By Joanna Penn
Being a writer is not just about typing. It’s also about surviving the roller-coaster of the creative journey.
LINK:
Successful Self-Publishing
By Joanna Penn
“I’ve learned the most effective way to publish and market your books. In this book, I’ll share everything with you.”
LINK:
Super Structure
STORY LOVES STRUCTURE . . . AND SO DO READERS!
By James Scott Bell
Super Structure represents over two decades of research on what makes a novel or screenplay entertaining, commercial, original, and irresistible. Contrary to what some may think, structure is not a nasty inhibitor of creativity. Quite the opposite. Properly understood and utilized, structure is what translates story into a form readers are wired to receive it.
LINK:
Support Network
8 TIPS TO BUILD YOUR SUPPORTIVE WRITING NETWORK
By Gale Massey — Writer’s Digest
Writing can be a solitary activity … but it doesn’t have to be. Let author Gale Massey give you some tips for building a supportive writing network.
LINK:
Surprise Your Reader
READERS LOVE BEING SURPRISED
By John McNally — Writer’s Digest
But surprises aren’t easy. Readers are not fans of being tricked or manipulated.
LINK:
Suspense
CREATING AND SUSTAINING SUSPENSE
By Steven James — Writer’s Digest
No matter what you write, keep your readers captivated with these no-fail techniques for creating and sustaining suspense in your stories.
LINK:
A Swim in a Pool in the Rain
IN WHICH FOUR RUSSIANS GIVE A MASTER CLASS ON WRITING, READING, AND LIFE
By George Saunders
A literary master class on what makes great stories work and what they can tell us about ourselves—and our world today.
LINKS:
Sympathetic Characters
how to write sympathetic characters
By K,M, Weiland — Helping Writers Become Authors
One of our most critical jobs as authors is creating sympathetic characters.
At first glance, this may seem like a no-brainer. After all, most of us write our stories based on our love for the main character. However, there are several levels of sympathetic characters.
LINK:
Synopsis
LEARN HOW TO WRITE A SYNOPSIS LIKE A PRO
By Courtney Carpenter — Writer’s Digest
Five quick and easy tips, as well as five things to avoid, when writing synopses, and a few pointers on formatting your synopsis!
LINK:
Synopsis
TAMING THE SYNOPSIS: FOUR STEPS
By Ammi-Joan Paquette — Writer’s Digest
When approached one step at a time, the dreaded synopsis can become a trusted companion on your publishing journey.
LINK:
HOT LINKS
NAVIGATION
FIRST DRAFT
A-B M-Q
C-E R-S
F-L T-Z
